A minimal model of a single-reed instrument producing quasi-periodic sounds

J. B. Doc, C. Vergez, Samy Missoum

Research output: Contribution to journalArticle

6 Citations (Scopus)

Abstract

Single-reed instruments can produce multiphonic sounds when they generate quasi-periodic oscillations. The aim of this article is to identify a minimal model of a single reed-instrument producing quasi-periodic oscillations. To better understand the influence of model parameters on the production of quasi-periodic regimes, the mapping between parameters and quasi-periodic regimes is explicitly identified using a support vector machine (SVM) classifier. SVMs enable the construction of boundaries between quasi-periodic and periodic regimes that are explicitly defined in terms of the parameters. Results and conclusions obtained from the numerical model are compared to published experiments related to t he the production of quasi-periodic oscillations with an alto saxophone. This qualitative comparison highlights the influence of key parameters on the production of multiphonic sounds.

Original languageEnglish (US)
Pages (from-to)543-554
Number of pages12
JournalActa Acustica united with Acustica
Volume100
Issue number3
DOIs
StatePublished - 2014

Fingerprint

acoustics
oscillations
classifiers
Sound
Reed Instruments
Oscillation
Support Vector Machine
Alto
Saxophone
Classifier
Experiment

ASJC Scopus subject areas

  • Acoustics and Ultrasonics
  • Music

Cite this

A minimal model of a single-reed instrument producing quasi-periodic sounds. / Doc, J. B.; Vergez, C.; Missoum, Samy.

In: Acta Acustica united with Acustica, Vol. 100, No. 3, 2014, p. 543-554.

Research output: Contribution to journalArticle

@article{c4f20c49b49c4d8abc06730401c54b1e,
title = "A minimal model of a single-reed instrument producing quasi-periodic sounds",
abstract = "Single-reed instruments can produce multiphonic sounds when they generate quasi-periodic oscillations. The aim of this article is to identify a minimal model of a single reed-instrument producing quasi-periodic oscillations. To better understand the influence of model parameters on the production of quasi-periodic regimes, the mapping between parameters and quasi-periodic regimes is explicitly identified using a support vector machine (SVM) classifier. SVMs enable the construction of boundaries between quasi-periodic and periodic regimes that are explicitly defined in terms of the parameters. Results and conclusions obtained from the numerical model are compared to published experiments related to t he the production of quasi-periodic oscillations with an alto saxophone. This qualitative comparison highlights the influence of key parameters on the production of multiphonic sounds.",
author = "Doc, {J. B.} and C. Vergez and Samy Missoum",
year = "2014",
doi = "10.3813/AAA.918734",
language = "English (US)",
volume = "100",
pages = "543--554",
journal = "Acta Acustica united with Acustica",
issn = "1436-7947",
publisher = "S. Hirzel Verlag GmbH",
number = "3",

}

TY - JOUR

T1 - A minimal model of a single-reed instrument producing quasi-periodic sounds

AU - Doc, J. B.

AU - Vergez, C.

AU - Missoum, Samy

PY - 2014

Y1 - 2014

N2 - Single-reed instruments can produce multiphonic sounds when they generate quasi-periodic oscillations. The aim of this article is to identify a minimal model of a single reed-instrument producing quasi-periodic oscillations. To better understand the influence of model parameters on the production of quasi-periodic regimes, the mapping between parameters and quasi-periodic regimes is explicitly identified using a support vector machine (SVM) classifier. SVMs enable the construction of boundaries between quasi-periodic and periodic regimes that are explicitly defined in terms of the parameters. Results and conclusions obtained from the numerical model are compared to published experiments related to t he the production of quasi-periodic oscillations with an alto saxophone. This qualitative comparison highlights the influence of key parameters on the production of multiphonic sounds.

AB - Single-reed instruments can produce multiphonic sounds when they generate quasi-periodic oscillations. The aim of this article is to identify a minimal model of a single reed-instrument producing quasi-periodic oscillations. To better understand the influence of model parameters on the production of quasi-periodic regimes, the mapping between parameters and quasi-periodic regimes is explicitly identified using a support vector machine (SVM) classifier. SVMs enable the construction of boundaries between quasi-periodic and periodic regimes that are explicitly defined in terms of the parameters. Results and conclusions obtained from the numerical model are compared to published experiments related to t he the production of quasi-periodic oscillations with an alto saxophone. This qualitative comparison highlights the influence of key parameters on the production of multiphonic sounds.

UR - http://www.scopus.com/inward/record.url?scp=84898949754&partnerID=8YFLogxK

UR - http://www.scopus.com/inward/citedby.url?scp=84898949754&partnerID=8YFLogxK

U2 - 10.3813/AAA.918734

DO - 10.3813/AAA.918734

M3 - Article

VL - 100

SP - 543

EP - 554

JO - Acta Acustica united with Acustica

JF - Acta Acustica united with Acustica

SN - 1436-7947

IS - 3

ER -