Conforming disconformity: "Mestizaje," hybridity, and the aesthetics of Mexican nationalism

Research output: Contribution to journalArticle

80 Citations (Scopus)

Abstract

This article sets up a dialogue between postcolonal theory and Latin American studies. Although some forms of intentional hybridization are contestatory, others, such as the aesthetic statism that developed in postrevolutionary Mexico after the 1920s, are authoritative. Moving from the works of foundational thinkers such as José Vasconcelos and Manuel Gamio, to the centrality of art in the policies they engendered, and to subsequent manifestations of aesthetic statism in the exemplary centers of urban space and in anthropology museums, the article traces some of the links in the genealogy of mestizo nationalism in postrevolutionary 20th-century Mexico.

Original languageEnglish (US)
Pages (from-to)459-490
Number of pages32
JournalCultural Anthropology
Volume19
Issue number4
StatePublished - Nov 2004

Fingerprint

nationalism
aesthetics
Mexico
genealogy
museum
anthropology
dialogue
art
Mestizaje
Nationalism
Hybridity
Statism
Aesthetics
Centrality
1920s
Urban Space
Art
Mestizos
American Studies
Genealogy

Keywords

  • Aesthetics
  • Hybridity
  • Mexico
  • Nationalism
  • Postcolonialism

ASJC Scopus subject areas

  • Anthropology

Cite this

Conforming disconformity : "Mestizaje," hybridity, and the aesthetics of Mexican nationalism. / Alonso, Ana M.

In: Cultural Anthropology, Vol. 19, No. 4, 11.2004, p. 459-490.

Research output: Contribution to journalArticle

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