Tillich and Tarkovsky

An Existential Analysis of Mirror

Research output: Contribution to journalArticle

Abstract

Andrei Tarkovsky's Mirror is a "stream-of-consciousness" film that eschews traditional narrative structure. The author interprets the film as having an "emotional structure," insofar as it sequentially explores different manifestations of the experience of anxiety. Using the typology of anxiety developed by Paul Tillich in The Courage to Be, the author demonstrates how the first three parts of Mirror separately explore the anxiety of emptiness, of guilt, and of fate. Throughout these early parts of the film, symbols of death underscore themes of anxiety. The author interprets the fourth part of Mirror as a sustained meditation on the sources of what Tillich called absolute faith, the source of the courage to exist in spite of imminent anxiety.

Original languageEnglish (US)
Pages (from-to)451-466
Number of pages16
JournalJournal of Humanistic Psychology
Volume52
Issue number4
DOIs
StatePublished - Oct 2012
Externally publishedYes

Fingerprint

Anxiety
anxiety
Meditation
Guilt
meditation
guilt
Consciousness
faith
consciousness
typology
symbol
Existential Analysis
death
narrative
experience
Courage

Keywords

  • Andrei Tarkovsky
  • anxiety
  • death
  • Mirror
  • Paul Tillich

ASJC Scopus subject areas

  • Social Psychology
  • Philosophy
  • Sociology and Political Science

Cite this

Tillich and Tarkovsky : An Existential Analysis of Mirror. / Sullivan, Daniel L.

In: Journal of Humanistic Psychology, Vol. 52, No. 4, 10.2012, p. 451-466.

Research output: Contribution to journalArticle

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